The room began to fill with partygoers, and the sight of all those happy people coming into the union hall gave Ethel the shakes. “Why?” she said to herself; “why would I agree to sing at a New Year’s Eve party in front of total strangers?” The 18 year old girl retreated to a corner of the hall in an attempt to steel her nerves.

A young man with a pencil-thin mustache noticed her sitting in the corner, twisting her handbag in obvious distress. He approached her and asked, “What’s going on with you then?” Ethel looked up quickly. “Hmm?” she asked. He repeated his inquiry. “What’s going on?” Ethel glanced around the young man and pointed to the incoming crowd of revelers. “That. Them. Those people. That’s what’s going on. I agreed to sing tonight, but now, I’m not so sure.”

“Well, can you sing at all?” the young man asked. Ethel looked up at him a bit surprised. “Well, yes. A bit,” she said. “Then, what’s the trouble?” he wondered, and he pulled up a chair and sat next to Ethel.

She looked at him closely. He was somewhat handsome, she thought, with kind eyes behind his round eyeglasses, and he wore a nice smile. “I guess it’s nerves,” Ethel explained. “This’ll be the largest crowd I’ve ever performed for.

It was New Year’s Eve, 1935, and the Union Hall in New York City was buzzing with excitement. The Great Depression had put a damper on such celebrations in recent years, but the Roosevelt New Deal programs had begun to have a positive effect in some segments of American society by that point. The Union Hall was where what we today might refer to as socialists would meet to discuss how they could help affect even more change in the capitalist system. As they saw it, the moneyed interests represented the biggest culprit in the crushing of the American worker underfoot in recent years. The hall that night was filled with other, young and idealistic young people who put economic theory on the backburner for one moment and wanted simply to have a good time and welcome in what they hoped would be a better year to come for their cause.

And Ethel had agreed to sing. And now she was having second thoughts.

Well, the young man calmed her down. He politely excused himself and returned in moment with a drink that Ethel gladly accepted. She gulped it down, and he smiled at her. “Say, let’s go there (he pointed at this point to a nearby room), and you can sing to me to practice. It might also calm you down some.” Ethel smiled and agreed.

And it worked. Ethel sang that night, but she was singing to her new friend, the young man with the nice smile and the kind eyes and the round glasses and the dapper mustache. And he was waiting for her when she came off the stage to a nice round of applause.

“What’s your name?” he said over the clapping. “Ethel,” she answered, “Ethel Greenglass. And what’s yours?”

The man who would become her husband three years later, the man who would become the father of her two sons, and the man who would seal her fate, answered.

“Good to meet you. I’m Julius Rosenberg.”